Resolve 17 may not resolve due to a variety of reasons. It could be a technical issue with the software, such as a bug or compatibility issue with the user's system. It could also be a user error, such as incorrect settings or improper use of the software. Additionally, it could be related to the specific project or media files being used, such as corrupted or incompatible media. Troubleshooting steps such as updating the software, checking system requirements, and reviewing project settings may help to identify and resolve the issue. **

A prime lens with a focal length between 35mm and 50mm is typically considered suitable for street photography. These lenses offer a natural field of view that closely resembles what the human eye sees, making them great for capturing candid moments in urban environments. Additionally, prime lenses are often compact and lightweight, which is ideal for street photographers who need to move quickly and discreetly. Overall, a 35mm or 50mm prime lens is a popular choice among street photographers for its versatility and ability to capture authentic moments. **

A macro lens is typically the best choice for product photography. Macro lenses are designed to capture small subjects with great detail and clarity, making them ideal for capturing the intricate details of products. They also have a close focusing distance, allowing you to get up close to the product for detailed shots. Additionally, a lens with a focal length between 50mm and 100mm is recommended for product photography as it provides a natural perspective and minimizes distortion. **

For animal photography, a camera with a fast autofocus system and high burst rate is essential to capture fast-moving subjects. A good choice would be a DSLR or mirrorless camera with at least 20 megapixels for high-quality images. As for the lens, a telephoto lens with a focal length of 70-200mm or longer is recommended to get close-up shots of animals without disturbing them. Additionally, a lens with image stabilization can help reduce camera shake when shooting handheld in low light conditions. **

For wildlife photography, a camera with a fast continuous shooting speed, high resolution, and good low-light performance is ideal. Cameras like the Canon EOS 90D, Nikon D500, or Sony Alpha a6600 are popular choices. When it comes to lenses, a telephoto lens with a focal length of at least 300mm is recommended to capture distant wildlife without disturbing them. Lenses like the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, or Sony FE 200-600mm f/5.6-6.3 G OSS are great options for wildlife photography. **

The best camera for wildlife photography is typically a DSLR or mirrorless camera with a high resolution sensor, fast autofocus system, and good low-light performance. Popular choices include the Canon EOS 5D Mark IV, Nikon D850, or Sony A7R IV. For lenses, a telephoto lens with a focal length of at least 300mm is recommended for capturing wildlife from a distance. Some popular options include the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S 200-500mm f/5.6E ED VR, or Sony FE 100-400mm f/4.5-5.6 GM OSS. Ultimately, the best camera and lens will depend on your budget, specific needs, and personal preferences. **

To export a film from DaVinci Resolve to your phone gallery, you can follow these steps: 1. In DaVinci Resolve, go to the Deliver tab. 2. Choose the format and settings for your export, making sure to select a format compatible with your phone. 3. Select the destination where you want to save the exported file, such as your phone's storage or cloud storage. 4. Start the export process by clicking on the Deliver button. Once the export is complete, you can access the film in your phone gallery. **

Camera shake settings in DaVinci Resolve 17 can vary depending on the specific effect you are trying to achieve and the footage you are working with. However, a common approach to creating a realistic camera shake effect is to use the Fusion tab to add a "shake" node to your footage and adjust the parameters such as amplitude, frequency, and decay to achieve the desired look. Additionally, you can also experiment with the built-in camera shake presets and adjust them to fit your specific needs. It's important to remember that the best settings for camera shake will depend on the specific footage and the effect you are trying to achieve, so it may require some experimentation to find the perfect settings for your project. **